Chris Amos

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Chris  Amos 
Biography
A white GMC Hummer EV truck is parked in front of a modern building, with several red crabs scattered on the pavement and grass in the foreground.

GMC

Again
A man wearing red boxing gloves and a white towel looks surprised while sitting down. A woman in the foreground, slightly out of focus, appears to be talking to him.

Squarespace

Make It
A man sits on a couch, gently holding the shoulders of a child who is wearing a large, blocky headpiece made of toy bricks, resembling a pixelated human face. Blue blinds and shelves are visible in the background.

Samsung

Kaleidoscope
A couple sits on a sofa surrounded by unpacked boxes, paint samples on the wall, and moving supplies in a bright apartment with large windows showing a city skyline.

IKEA

Imagine That
A man wearing a Hanes sweatshirt and sweatpants stands in a walk-in closet, lifting his shirt to reveal a white undershirt. Shelves with clothes, shoes, and bags are organized in the background.

Hanes

Sack Dance
Two men stand in a sneaker store; one in a red soccer jersey gestures while talking, and the other, much taller, wears black athletic wear and holds a basketball. Shelves of sneakers and a basketball hoop are visible in the background.

Dick’s Sporting Good

Speed Shopping
A man with wavy hair wearing a sweater over a collared shirt sits indoors, leaning slightly forward and looking directly at the camera with a thoughtful expression. The image is in black and white.

Chris Amos

Once in a while you get shown in the light… In the strangest of places if you look at it right.

Chris Amos is an award-winning editor from New Jersey. He has worked on a wide variety of films, ranging from feature-length documentaries to comedic commercials and emotionally provocative narrative shorts.

He won a Webby, D&AD, and several AICP awards for editing “Make It” for Squarespace, directed by Spike Jonze. His work on the branded documentary “Dear Glenn” for Yamaha garnered a Cannes Silver Lion. Other select brand clients include GMC Hummer, Samsung, Planet Fitness, Verizon, IKEA, Banner Health, Meta, Hanes, Google, Expedia, and Dick’s Sporting Goods.

Chris edited documentary features Songs About F—ing and Blue Note Records: Beyond the Notes, which screened at the Tribeca Film Festival. His narrative work includes festival shorts “The Opportunist” (Cannes), “everything & everything & everything” (TIFF), and “Hail Mary” (Slamdance). His ear for comedic timing brought him opportunities to edit comedy specials for Bo Burnham’s Make Happy and Hannibal Buress’s Comedy Camisado on Netflix, as well as Jerrod Carmichael’s 8 on HBO.

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A man with wavy hair wearing a sweater over a collared shirt sits indoors, leaning slightly forward and looking directly at the camera with a thoughtful expression. The image is in black and white.

Chris Amos

Once in a while you get shown in the light… In the strangest of places if you look at it right.

Chris Amos is an award-winning editor from New Jersey. He has worked on a wide variety of films, ranging from feature-length documentaries to comedic commercials and emotionally provocative narrative shorts.

He won a Webby, D&AD, and several AICP awards for editing “Make It” for Squarespace, directed by Spike Jonze. His work on the branded documentary “Dear Glenn” for Yamaha garnered a Cannes Silver Lion. Other select brand clients include GMC Hummer, Samsung, Planet Fitness, Verizon, IKEA, Banner Health, Meta, Hanes, Google, Expedia, and Dick’s Sporting Goods.

Chris edited documentary features Songs About F—ing and Blue Note Records: Beyond the Notes, which screened at the Tribeca Film Festival. His narrative work includes festival shorts “The Opportunist” (Cannes), “everything & everything & everything” (TIFF), and “Hail Mary” (Slamdance). His ear for comedic timing brought him opportunities to edit comedy specials for Bo Burnham’s Make Happy and Hannibal Buress’s Comedy Camisado on Netflix, as well as Jerrod Carmichael’s 8 on HBO.

WebsiteInstagramLinkedIn